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Peter Capaldi Title SequenceANDREW'S DOCTOR WHO REVIEWS
No. 255 - FLATLINE


Story Broadcast: 18 October 2014

Writer: Jamie Mathieson -  Director: Douglas Mackinnon

TARDIS Crew: The Twelfth Doctor - Clara Oswald




Flatline

This is another really enjoyable story, there’s some great humour in it and a quite disconcerting enemy in the shape of the Boneless. Jenna Coleman is superb here, effectively playing the Doctor for much of the story whilst the real one is shrunk inside the mini-TARDIS. At the time it still felt like she was about to leave and hook up with Danny Pink, so this plotline is still being pushed and that does, on occasion, intrude into the actual narrative of this tale.

A power drain starts effecting the TARDIS so the Doctor makes an emergency landing which turns out to be in modern day Bristol. Clara leaves the TARDIS whilst the Doctor tries to make repairs, outside she befriends Rigsy (Jovian Wade), a graffiti artist who is part of a group doing community service to remove graffiti from the streets of Bristol. Rigsy tells her that people have been going missing, so Clara returns to the Doctor only to find the TARDIS has shrunk so small that the Doctor is trapped inside.

The Doctor gives Clara his sonic screwdriver, psychic paper and an earpiece so they can communicate, she puts the TARDIS into a backpack and goes to investigate. Rigsy and Clara find a house where there has been a recent disappearance and are persuading the policewoman guarding it that they should be allowed in, the policewoman goes inside and they hear a scream. They find the woman gone but there is a weird mural on the wall which the Doctor recognises as the human nervous system.

The Doctor warns them that these creatures are two dimensional beings known as the Boneless who are seeking to find a way into the 3D world. Clara attempts to lead the anti-graffiti crew through tunnels to escape the Boneless who follow as eerily animated half-flat creatures. Clara then gets Rigsy to paint a door on a wall to trick the Boneless into thinking it is a real door as they have trouble differentiating between 2D and 3D. The TARDIS is behind the painting and when the Boneless try to break through they repower the TARDIS allowing it to return to normal size.

Finally free of his shrinking prison, the Doctor gives the Boneless a chance to leave peacefully but they refuse and so he banishes them back to their 2D world. He asks Clara how she felt being the Doctor for a day. Elsewhere, the mysterious Missy is watching them, and says to herself that she made the right choice picking Clara.

This is a pretty good piece of Doctor Who. The Boneless are an eerie set of monsters and the idea of graffiti coming to life is another of those tropes that the new series of Doctor Who likes doing – the every day becoming dangerous. There are some exciting bits, Rigsy and Clara’s escape from the house, for instance and also a lot of good humour, particularly early on around the shrinking TARDIS.

The acting is okay from the principal three actors (Peter Capaldi, Jenna Coleman and Jovian Wade) although some of the other characters are a bit (ironically) one dimensional.

The other issue is the bits with Danny Pink interfere with the storyline and are unnecessary, him being on the phone to Clara whilst she tries to escape the house undermines that scene a bit which is a shame. This is certainly Clara’s story and Jenna is super as the surrogate Doctor, taking charge and investigating bravely, it still feels like they are readying Clara to leave the show.

A well-above average story which continues the upswing in this season, enjoyable.

NEXT UP:  IN THE FOREST OF THE NIGHT


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2022


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