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Peter Capaldi Title SequenceANDREW'S DOCTOR WHO REVIEWS
No. 261 - THE GIRL WHO DIED


Story Broadcast: 17 October 2015

Writers: Jamie Mathieson and Steven Moffat -  Director: Ed Bazalgette

TARDIS Crew: The Twelfth Doctor - Clara Oswald




The Girl Who Died

This is the point in this season where things begin to kick in and take shape. We meet Ashildr (a very endearing and enjoyable performance from Maisie Williams) whose fate is bound up with the Doctor and Clara this season. The story itself is not that taxing, fun and dramatic but simple, but it sets things up for more complexity coming soon.

Arriving in the past the Doctor and Clara are captured by a group of Vikings and taken to their village. A figure of Odin (David Schofield) suddenly appears in the clouds and a group of armoured warriors arrive and shoot a group of Viking warriors as well as Clara and Ashildr, a woman from the village. All seem to be disintegrated.

Clara and Ashildr find themselves on a spaceship. The Warriors are killed and drained of testosterone and adrenaline. The two women meet with the Odin figure, actually the leader of aliens called the Mire who pride themselves on being ruthless warriors. Ashildr, being a Viking, immediately declares war on the Mire. Odin grants them a day to prepare and returns Clara and Ashildr to the village.

Once he knows what is happening the Doctor works out a plan to use Ashildr’s storytelling prowess to defeat the Mire. He firstly electrocutes them to stun them, then he uses one of their helmets to put on Ashildr and create a vision of a dragon-like creature to scare the Mire away. Odin threatens to attack again, but the Doctor in turn threatens to send footage of the defeat to the Universe to shame the Mire and destroy their reputation. Reluctantly the Mire and Odin leave.

Ashildr, though, has died during the conflict. The Doctor then decides to break the rules. He implants a chip from one of the fallen Mire warriors into Ashildr which brings her back to life and makes her eternal. He gives her a second chip which she can use when she finds someone she wants to spend eternity alongside.

This is a really entertaining story, the plot itself is simple enough, but it is done with such a joie de vivre that you’re swept up in it. Odin is an over-the-top villain in the mould of someone like the Black Guardian, all bluster and anger and larger than life, but it fits in well with this story.

The Doctor’s trick of using Ashildr’s storytelling to fool the Mire is a good one, and the idea that he embarrasses them into not return is amusing and different. The setting of the Viking village is well realised and the Mire soldiers are impressive enough.

It is, though, all about Ashildr and Maisie Williams is impressive in the role – and will get more so as we travel through this season. Her interaction with Clara is great and Jenna Coleman holds her own in their scenes together; but it is the scenes with Peter Capaldi – particularly at the end – where the character really works. You know at the end of this story you haven’t seen the last of Ashildr, and you look forward to seeing more.

A really enjoyable story that promises better things to come.

NEXT UP:  THE WOMAN WHO LIVED


© Text copyright - Raving Loony Productions and Andrew J. Müller, Roy Barton
and Shaun Runham
© Photos and Artwork - Andrew J. Müller
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2022


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