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Peter Capaldi Title SequenceANDREW'S DOCTOR WHO REVIEWS
No. 267 - HELL BENT


Story Broadcast: 5 December 2015

Writer: Steven Moffat -  Director: Rachel Talalay

TARDIS Crew: The Twelfth Doctor - Clara Oswald




Hell Bent

If Heaven Sent was pared back – simple and in a small set with one actor – then Hell Bent throws an awful lot of stuff at the viewer as Steven Moffat attempts to wrap up all the loose threads of plot from this season, and there is a lot – Gallifrey, Clara, Ashildr/Me and the Hybrid which is mentioned throughout the season and is the one thing that we never really work out properly. You are left at the end wondering whether Clara is dead or not, she goes off with Ashildr/Me ostensibly to go back to Gallifrey but there is an implication they are just going to travel on forever, both immortal in their own way what Clara describes as “the long way around”.

The Doctor has been trapped in his confession dial for four and a half billion years and he emerges on Gallifrey. Here he stages a coup and removes Rassilon (Donald Sumpter) from power to become President himself. He then orders Clara to be removed from time in the seconds before she dies. She has no pulse and although the Doctor pretends he is going to find out about the Hybrid from Clara, in fact, he does a runner in a TARDIS with her onboard.

His idea is to travel far enough away that he can get her pulse to resume and she won’t need to be returned to the moment of her death by the Time Lords. This, of course, fails so instead they travel to the furthest end of the Universe in the far far future. Here they meet Ashildr/Me waiting in the ruins of Gallifrey and she posits that the Doctor and Clara between them form the Hybrid. The Doctor reveals he intends to wipe Clara’s memory hoping to hide her from the Time Lords. Clara overhears his plan and insists that the mind wipe should be performed at random on either the Doctor or herself. Before submitting the Doctor suggests that he has become the Hybrid trying to save Clara. They operate the mind wipe.

The Doctor wakes up in the Nevada desert. Here he comes upon a diner and inside he talks to the waitress and tells her his story. He has pieced together everything except what the lost girl Clara looks like. The waitress, who is Clara who has all her memories intact, leaves the Doctor in the desert – the diner is a TARDIS operated by Clara and Ashildr/Me. They leave to return to Gallifrey and send Clara to the moment of her death - eventually.

The Doctor’s TARDIS is waiting for him behind the diner once it dematerialises.

So, we reach the end of Clara’s story and, to be honest, it’s not overly satisfying. It’s not that I mind Clara not having died – it allows the possibility of the character and actress returning in the future if that is needed, but it does take away the impact of Face the Raven and feels a bit like a cheat. Similarly, Ashildr’s story is not really finished. She just goes off with Clara and although she is reconciled to some degree with the Doctor, there is no satisfying conclusion.

This story feels like it takes the long way around to get to the bit we actually need to see – the Doctor and Clara wiping one of their memories and the end of Clara’s story. There’s a lot of stuff on Gallifrey and shouting and waving around of guns that, to be honest, adds nothing but time and noise to the plot.

The best bit of the whole thing is probably that quiet scene at the end in the diner with Clara in her waitress uniform with her memories intact and the Doctor struggling to find his own memories, doodling on his guitar and playing Clara’s theme (which we’ve heard often over the last few years). Both Capaldi and Coleman are on top form here, and it helps to remember what a good pairing they’ve been.

Overall, the main thing that lingers here is saying a final farewell to Clara; a much maligned companion who I liked from the start and continued to be impressed by throughout. The rest of the story is just white noise.

NEXT UP:  THE HUSBANDS OF RIVER SONG


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and Shaun Runham
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2022


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